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Iri and toshi marukai biography template


As a general rule, when a kanji character is by itself we use Kun-Yomi (Japanese) but when it is with other kanji we use On-Yomi (Chinese)..

▫ This bibliography and sourcebook was written with the hope that someone will write a detailed and well-documented history of this subject.

  • ▫ This bibliography and sourcebook was written with the hope that someone will write a detailed and well-documented history of this subject.
  • Sushi from around the world and Japan, and rice for sushi!
  • As a general rule, when a kanji character is by itself we use Kun-Yomi (Japanese) but when it is with other kanji we use On-Yomi (Chinese).
  • Iri 15-20,Ltd.
  • Iri.
  • The Hiroshima Panels

    36°19′44″N139°21′08″E / 36.3288°N 139.3521°E / 36.3288; 139.3521

    Paintings about the atomic bombings of Hiroshima and Nagasaki

    The Hiroshima Panels (原爆の図, Genbaku no zu) are a series of fifteen painted folding panels by the collaborative husband and wife artists Toshi Maruki and Iri Maruki completed over a span of thirty-two years (1950–1982).[1] The Panels depict the consequences of the atomic bombings of Hiroshima and Nagasaki, as well as other nuclear disasters of the 20th century.

    Each panel stands 1.8 metres x 7.2 metres.[2]

    The paintings depict people wrenched by the violence and chaos of the atomic bombing; some wandering aimlessly, their bodies charred, while others are still being consumed by atomic fire.

    Dying lovers embrace and mothers cradling their dead children. Each painting portrays the inhumanity, brutality, and hopelessness of war, and the cruelty of bombing civilians.[2] The